The VG5000 takes its name from the homonymous computer manufactured by Phillips, released in 1984. Its video processor displays bitmap characters built in a common matrix of 8x10 dots. The modern VG5000 is built on a grid 4 times more detailed, allowing more freedom and imagination of curves, where there were only right angles. The superposition of the new drawing onto the starting matrix sometimes reveals unexpected mixtures. Some right angles have been deliberately preserved as vestiges of the first digital fonts, offering a hybrid final shape. One of the inherited features is the accents that are always placed at the same height, forcing some letters to crash. Many glyphs and pictograms complete the VG5000's original set, including references to VG5000 games and the history of emoji.

VG5000 by Justin Bihan. Distributed by velvetyne.fr.

Inspired by humanist typefaces such as Albertus, BackOut has a decidely African design. Its name comes from the eponymous song by Bob Marley and The Wailers.

The 2.0 version of BackOut is a faithful review of Frank's original with improved spacing and kerning, corrected contrast, new lowercase letters and extended language support and functionalities. In October 2022, the 2.1 version was released, with revised kerning and some minor modifications.

BackOut by Frank Adebiaye, with the contribution of Ariel Martín Pérez. Distributed by velvetyne.fr.

PicNic is an organic typeface inhabiting a cloud of contextual ligatures and inclusive ligatures, substituting for the midpoint automatically. They are designed mainly for French.

The shapes are inspired by the trajectory of a drop of water on an oilcloth, the shadows of the tree leaves on the fabric lying in the grass, the precise path that the ant takes to the watermelon. They attempt to translate the sensory experience of a picnic among friends.

This typeface will suit for all wild, poetic and bucolic explorers for their most adventurous excursions.

PicNic by Mariel Nils. Distributed by velvetyne.fr.

Lithops is a very display, very unique, very complex semi modular font. Uppercase only, it was originally hand drawn in Procreate, and then processed in Glyphs 3. Its name stems from succulent plants to which it bears a resemblance, and was (loosely) inspired by Art Nouveau, Alzheimer brains and Matisse cutouts. Lithops started in February 2021 as a spontaneous creative outlet and glyph drawing exercise. Though it may not be easy to use and is difficult to categorise, Lithops serves as an exploration of the future of type design, begging the question: how complex can a font be, all while staying cohesive, legible and aesthetically pleasing, and most importantly, fun?

Lithops by Anne-Dauphine Borione. Distributed by velvetyne.fr

A collection of fonts from Velvetyne including; Anthony, Avara, BackOut, Basteleur, CirrusCumulus, Compagnon, Façade, Grotesk, Jgs font, Kaeru Kaeru, Mourier, Ouroboros, PicNic, Pilowlava, TINY, Typefesse, VG5000, Mess, Format 1452, Trickster, Lithops, Lineal, Amdal, Gulax, BianZhiDai, Degheest, Fungal, Karrik, Le Murmure, Outward, Resistance, Sligoil.

Sans-serif, but with calligraphic influence and strong contrast, Trickster borrows shapes from Merovingian writing, Blackletters construction and contemporean drawing. Trickster is a display typeface in one bold weight. Its unusual shapes, tight spacing and various alternates allow designers to create quickly strong headlines and beautiful titling.

According to Wikipedia, in mythology, and in the study of folklore and religion, a trickster is a character in a story (god, goddess, spirit, man, woman, or anthropomorphic creature), which exhibits a great degree of intellect or secret knowledge, and which uses it to play tricks or otherwise disobey normal rules and conventional behaviour. So that's the origin of the name of this typeface.

Trickster by Jean-Baptiste Morizot. Distributed by velvetyne.fr.

Façade is a typeface created from the architectural grid of the ÉSAD Orléans facade. This grid is used as a basis for the first sketches, then as a spirit for all the typefaces. The 'sud' (south) version is faithful to the architecture while the other weights are emancipated from it.

Façade by Éléonore Fines. Distributed by velvetyne.fr.

Bright colored and blobby shaped patterns of the poison dart frog mixed together with the strangely formed muscles in Japanese woodcuts. Kaeru kaeru combines both inspirations in one typeface.

It was created in a seminar called 'Type – Inspiration elsewhere' led by Jérémy Landes at the HfG Karlsruhe. The idea of the seminar was, to take different inspirations out of nature and illustrations and try to combine them to one typeface.

Kaeru Kaeru by Isabel Motz. Distributed by velvetyne.fr.

Lineal is a Libre Family initiated by Frank Adebiaye and updated by the Velvetyne Team.

According to Frank, Lineal was originally inspired by the song called 2870 by Gérard Manset. It ended-up looking like a sort of Futura built with modules, without any optical corrections. Its first version was drawn in 2010 with FontForge 2.0. and published on Velvetyne on February 2011.

Since 2019, Anton Moglia worked on enhancing the character set, to fit his own needs (with Glyphs App). It was largely developed by Anton Moglia, who reviewed all the capitals, added lowercase letters and other symbols and gave it a more stable structure. He extended the family by adding weights, from Thin to Heavy and cleaned up the entire character set of superfluous curve points.

During 2023, Ariel Martín Pérez helped Anton Moglia publish this substantial update of Lineal, developing the character set for other languages and helping build the repository for publication. Ariel Martín Pérez expanded language support and improved spacing and kerning.

Lineal by Frank Adebiaye, with the contribution of Anton Moglia, Ariel Martín Pérez. Distributed by velvetyne.fr

The Monaspace type system is a monospaced type superfamily with some modern tricks up its sleeve. It consists of five variable axis typefaces. Each one has a distinct voice, but they are all metrics-compatible with one another, allowing you to mix and match them for a more expressive typographical palette.

Paragon is a serif font family, a revival of the typeface designed in 1935 by Chauncey H. Griffith for Linotype. A set of characters intended to be printed in small size on newspapers and to remain legible despite poor quality printing. The Paragon was intended to be lighter in order to compensate for the over-inking of the newspapers during printing.

The a.c.r version was designed taking as its origins the work of Phil Baines on his 'You Can Read Me' type. It seeks to establish a border where the character resists machine reading (OCR) while being readable by humans on short texts.

Designed by Cédric Rossignol Brunet

Show information about hardware, BIOS, CPU and kernel version.

Gephi is the leading visualization and exploration software for all kinds of graphs and networks. The goal is to help data analysts to make hypothesis, intuitively discover patterns, isolate structure singularities or faults during data sourcing. It is a complementary tool to traditional statistics, as visual thinking with interactive interfaces is now recognized to facilitate reasoning.

Gephi is the leading visualization and exploration software for all kinds of graphs and networks. The goal is to help data analysts to make hypothesis, intuitively discover patterns, isolate structure singularities or faults during data sourcing. It is a complementary tool to traditional statistics, as visual thinking with interactive interfaces is now recognized to facilitate reasoning.

Ghostty is a terminal emulator that differentiates itself by being fast, feature-rich, and native. While there are many excellent terminal emulators available, they all force you to choose between speed, features, or native UIs. Ghostty provides all three.

Inkscape is a vector graphics editor. What sets Inkscape apart is its use of Scalable Vector Graphics (SVG), an XML-based W3C standard, as the native format.

Inkscape is a vector graphics editor. What sets Inkscape apart is its use of Scalable Vector Graphics (SVG), an XML-based W3C standard, as the native format.

Julia is a high-level, high-performance dynamic programming language for technical computing, with syntax that is familiar to users of other technical computing environments. It provides a sophisticated compiler, distributed parallel execution, numerical accuracy, and an extensive mathematical function library.

Julia is a high-level, high-performance dynamic programming language for technical computing, with syntax that is familiar to users of other technical computing environments. It provides a sophisticated compiler, distributed parallel execution, numerical accuracy, and an extensive mathematical function library.

Julia is a high-level, high-performance dynamic programming language for technical computing, with syntax that is familiar to users of other technical computing environments. It provides a sophisticated compiler, distributed parallel execution, numerical accuracy, and an extensive mathematical function library.

Work together effectively with real-time communication, file and code snippet sharing, in-line code syntax highlighting, and workflow automation purpose-built for technical teams.

Work together effectively with real-time communication, file and code snippet sharing, in-line code syntax highlighting, and workflow automation purpose-built for technical teams.

A visual programming environment for audio experimentation, prototyping and education

Python wrapper for the Zotero API