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This package provides the Takao Fonts, which are community-developed derivatives of the IPA Fonts. The project aims to ensure the continued maintenance of high-quality Japanese outline fonts by the community. Based on the original fonts developed by the Information-technology Promotion Agency, Japan (IPA). These fonts are particularly suitable for use in community-driven operating systems and embedded software where timely updates and quality assurance are essential.
Thatcher Ulrich's first outline font design. He started with the goal of producing a neutral, readable sans-serif text font. There are lots of "expressive" fonts out there, but he wanted to start with something very plain and clean, something he might want to actually use.
scientifica is largely based on creep, with a number of minor tweaks to improve readability (a matter of taste of course). Most characters are just 4px wide, which is brilliant for low dpi(90-120) displays.
Unscii is a set of bitmapped Unicode fonts based on classic system fonts. Unscii attempts to support character cell art well while also being suitable for terminal and programming use. The two main variants are unscii-8 (8×8 pixels per glyph) and unscii-16 (8×16).
Termsyn is a clean monospaced bitmap font based on Terminus and Tamsyn.
This package contains the following outputs:
out: pcf font
otf: otf font
psf: psfu font
Charter was designed by Matthew Carter in 1987 and was contributed by Bitstream to the X Consortium in 1992. This package provides OpenType, TrueType, and WOFF2 versions converted from the Type 1 originals by Matthew Butterick.
Iosevka is a slender monospace sans-serif or slab-serif typeface inspired by Pragmata Pro, M+, and PF DIN Mono, designed to be the ideal font for programming. Iosevka is completely generated from its source code.
MJM Mincho is a font that aims at, for example, allowing you to write people's name, or for formal business situations where it is necessary to have a detailed and proper character style.
Cormorant is an extravagant display serif typeface inspired by the Garamond heritage. The design goal of Cormorant was to distill the aesthetic essence of Garamond, unfetter it from the limitations of metal printing, and allow it to bloom into its natural refined form at high definition. Cormorant is characterized by scandalously small counters, razor-sharp serifs, dangerously smooth curves, and flamboyantly tall accents. While many implementations of Garamond at small optical sizes already exist, Cormorant aims for the sparsely populated niche of display-size counterparts that exploit the high resolution of contemporary screens and print media to the fullest.
Commit Mono is an anonymous and neutral programming typeface.
The old posters and signs in the traditional Montserrat neighborhood of Buenos Aires inspired Julieta Ulanovsky to design this typeface and rescue the beauty of urban typography that emerged in the first half of the twentieth century.
Google Noto Fonts is a family of fonts designed to support all languages with a consistent look and aesthetic. Its goal is to properly display all Unicode symbols.
Lohit is a font family designed to cover Indic scripts. Lohit supports the Assamese, Bengali, Devanagari (Hindi, Kashmiri, Konkani, Maithili, Marathi, Nepali, Sindhi, Santali, Bodo, Dogri languages), Gujarati, Kannada, Malayalam, Manipuri, Oriya, Punjabi, Tamil and Telugu scripts.
Iosevka is a slender monospace sans-serif or slab-serif typeface inspired by Pragmata Pro, M+, and PF DIN Mono, designed to be the ideal font for programming. Iosevka is completely generated from its source code.
14 Hebrew trivial families. Contain ASCII glyphs from various sources. Those families provide a basic set of a serif (Frank Ruehl), sans serif (Nachlieli) and monospaced (Miriam Mono) trivials. Also included Miriam, Drugulin, Aharoni, David, Hadasim etc. Cantillation marks support is available in Keter YG.
IPAex Fonts are suitable for both display and printing. This is a modernized version of IPA Fonts that aims to provide a good balance for authoring Japanese documents mixed with Western characters, while following Japanese printing tradition. Japanese characters (Kanji, Kana and punctuation marks) are full width mono-space pitch, and Western characters are proportional pitch.
The mission of the Scientific and Technical Information Exchange (STIX) font creation project is the preparation of a comprehensive set of fonts that serve the scientific and engineering community in the process from manuscript creation through final publication, both in electronic and print formats.
Iosevka is a slender monospace sans-serif or slab-serif typeface inspired by Pragmata Pro, M+, and PF DIN Mono, designed to be the ideal font for programming. Iosevka is completely generated from its source code.
The Latin Modern fonts are a set of scalable fonts based on the PostScript Type 1 version of the Computer Modern fonts and contain many additional characters (mostly accented ones). This package provides the OpenType variant of these fonts.
Dina is a monospace bitmap font, primarily aimed at programmers. It is relatively compact to allow a lot of code on screen, while (hopefully) clear enough to remain readable even at high resolutions.
Hermit is a monospace font designed to be clear, pragmatic and very readable. Its creation has been focused on programming. Every glyph was carefully planned and calculated, according to defined principles and rules. For this reason, Hermit is coherent and regular.
Symbols stand out from common text. Dots and commas are easily seen, and operators are clear even when not surrounded by spaces. Similar characters have been designed to be very distinguishable from each other.
GNU Unifont is a bitmap font covering essentially all of Unicode's Basic Multilingual Plane. The package also includes utilities to ease adding new glyphs to the font.
DejaVu provides an expanded version of the Vera font family aiming for quality and broader Unicode coverage while retaining the original Vera style. DejaVu currently works towards conformance to the Multilingual European Standards (MES-1 and MES-2) for Unicode coverage. The DejaVu fonts provide serif, sans and monospaced variants.
This package provides a charming Japanese font that combines the circular letter style popular among young Japanese girls in the 1970s and 1980s with contemporary round-character aesthetics. The font reflects the energetic trend of the era, when the circular script was so widespread that some schools banned its use. This font pushes the roundness to its limit while capturing the spirit of both past and present styles.